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A
rundown of the shows on the Disney Afternoon, a
syndicated programming block from the late '80s
and early '90s. |
Kids had it pretty rough in
the 1980s, before cable television was thoroughly embraced by
the public. Instead of having a wide
spectrum of cartoons available at all hours of the day, kids
had to wake up early in the morning, then hold out until after
school, for their fix.
At first, the golden hours of 3:00PM to 5:00PM
were a random grab bag of shows, featuring everything from
comedy classics like The Pink Panther to modern hits such as
He-Man, Transformers, and Voltron. However,
in 1985, an island of order arose from this raging sea of
chaos.
Eager to expand its influence into the world of
television, The Walt Disney Company first dipped its toe into
weekday afternoon syndication with The Adventures of the Gummi
Bears. The series was moderately
successful, but lacked that heavily promoted but elusive
Disney Magic that viewers had come to expect from the
company.
Undeterred, Disney followed up the series with
DuckTales two years later. Based on the
Gold Key comics starring Uncle Scrooge and his three nephews,
DuckTales was a huge hit thanks to its clever storylines,
lively animation, and most importantly, a familiar cast of
characters.
The message to Disney was clear... instead of
making entirely new shows like Gummi Bears and the failed
Saturday morning series The Wuzzles, putting classic Disney
heroes in fresh situations was the path to victory in the
weekday afternoon ratings wars. This
sparked the creation of Chip 'n Dale's Rescue Rangers in 1989,
and a fantasy series starring the cast of The Jungle Book two
years later.
Now, Disney didn't just have a hit... they had an
entire afternoon of them! Shows from
competing studios like Rankin-Bass, Claster, and Filmation had
all been pushed out of the nest, leaving Disney in control of
the 3-5PM time slot on hundreds of networks.
The company made their dominance official by
establishing The Disney Afternoon. This
programming block had a rotating schedule, with new shows
added to the mix and less popular ones pulled out every
year. Most of these series followed the
tried and true formula of “old stars, new settings,” with the
rare curveball thrown in to capitalize on cartoon trendsetters
like Batman: The Animated Series and Ren &
Stimpy.
The Disney Afternoon remained popular for years,
until a number of factors contributed to its dissolution in
1999. Disney had purchased ABC from Capital
Cities, causing a shift from weekday to weekend
programming. Shows like Mickey Mouseworks
and Recess that would have debuted on the Disney Afternoon
found their way to ABC's One Saturday Morning (now ABC Kids)
instead.
A second shift from Saturday morning television
to cable occurred when Disney unveiled a dedicated cartoon
channel in 1998, then acquired Saban's library of children's
programming from 20th Century
Fox two years later. When Disney could
offer its viewers cartoons every hour of the day on its own
dedicated network, there was no longer a need for a syndicated
programming block.
Furthermore, the purchase of Saban properties
like Mighty Morphin' Power Rangers had convinced the company
to target an older demographic and produce faster, edgier
shows. The Disney Afternoon was out, and a
new action-oriented programming block called Jetix was
eventually offered as its
replacement.
What was once a daily staple for millions of
children had met its end thanks to a shake-up in the
television industry and the demands of a new generation of
viewers. That era may have come to an end,
but there's nothing wrong with looking back on what the Disney
Afternoon had to offer back in its heyday!
Here now are reviews of all the shows that were
featured on the programming block, in order of personal
preference. |
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GARGOYLES |
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The most
unexpected series in the Disney Afternoon line-up was also
hands down its best. Gargoyles seemed to
come out of nowhere, with no advance promotion from Disney and
little indication of the company's involvement with
it. With its moody art direction,
muscle-bound, gravel-voiced characters, and complex story arcs
borrowing heavily from the work of William Shakespeare,
Gargoyles was such a departure from Disney's usual fare that
it would have been easy to mistake it for the work of another
studio!
However, Disney was
a lot more willing to take credit for the show's creation
after it attracted a loyal following. After
a brief test run on weekday mornings, the studio slotted it
into the Disney Afternoon, giving more viewers a chance to
appreciate its strong writing and quality voice
acting. The voice cast was perhaps the most
appealing of Gargoyles' many charms, featuring outstanding
performances by Keith David and nearly a dozen Star Trek cast
members. The characters were also a
highlight... TMNT-inspired sidekicks like Lexington, Broadway,
and Brooklyn prevented the storylines from becoming too
dark or pretentious, while thankfully keeping the comic relief
understated.
There was just one
problem with Gargoyles... namely, its final
season. After series creator Greg Weisman
left the show, it took a turn for the worse with a
sanctimonious story arc and lackluster animation provided by
Canadian studio Nelvana. The strong voice
acting that made Gargoyles so appealing in its first season
kept viewers from abandoning it in its last, even when the
producers had defanged Xanatos and offered Ku Klux Klan action
figures as the substitute
villains. Nevertheless, it's a safe
bet that Gargoyles fans will remember the series for its
groundbreaking early days, rather than the surprisingly
mediocre Goliath Chronicles. |
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QUICK
SHOTS |
THE
411: Ghoulish statues come to life after a
thousand year nap to defend New York from the schemes of
an evil genius. |
AIR
DATE: 1994-1997 |
EPISODES: 78 |
TRIVIA: Series creator Greg
Weisman was an English teacher prior to being hired by
Disney, explaining the show's frequent references to
Shakespeare. |
MEMORABLE
MOMENTS: Goliath and members of The Pack
tangle with the Egyptian god of death; Eliza Maza
cleverly foils a mind control spell; the show's
spectacular crash and burn after its creator left
Disney. |
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TALESPIN |
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This was the first
high concept Disney Afternoon series, taking place in a world
where airplanes are the preferred mode of transportation and
the 1920s are still alive and roaring.
Speaking of all things roaring, the main cast featured
animals from the film The Jungle Book, with some slight
modifications. Carefree sloth bear Baloo
became an ace cargo pilot, while his sidekick Mowgli was
replaced with the plucky and street-smart orphan Kit
Cloudkicker. Fun-loving orangutan Louie was
put in charge of a juice bar on a distant island, while Shere
Khan stepped into the role of a Machiavellian business
tycoon.
Along with 1930s
science-fiction serials and classic Disney movies, the
producers took inspiration from one more source… later seasons
of the sitcom Cheers. By the end of the
five-part premiere, Baloo is stuck in an uncomfortable
business relationship with an uptight entrepreneur named
Rebecca Cunningham. She’s got the deed to
his plane, and the only way he can keep his butt in the
pilot’s chair of his beloved Seaduck is to ship cargo to her
clients. Sound familiar?
It should if you spent any time watching NBC in the
late 1980s. Just switch “Cunningham” with
“Howe,” “plane” with “bar,” and “ship cargo” with “serve
drinks” and you’ve got the post-Shelly Long episodes of
Cheers. Rebecca even looks like Kirstie
Alley, or as much as a bear could before Kirstie herself
started eating like one.
Crass fat jokes
aside, TaleSpin deserves mad props for taking a wide spectrum
of ideas, then merging them together as a single, sharply
focused whole. It’s got the same gentle
humor and intrepid exploration as the first season of
DuckTales, with deeper characters and far more exciting action
scenes. When Baloo’s not using his piloting
skills to outsmart motley sky pirates and socialist pigs,
Kit’s hanging behind the Seaduck on a metal foil that’s part
surfboard and part hang glider. Some of the
characters are hard to stomach (Wildcat and Molly, I’m looking
at you) and the animation tends to be wildly inconsistent due
to the involvement of several very different art
studios. However, neither of these flaws
detracts much from the second best and certainly the most
clever series in the Disney Afternoon
canon. |
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QUICK
SHOTS |
THE
411: Animals from a Rudyard Kipling novel
stand upright and fly turn-of-the-century
aircraft. |
AIR
DATE: 1990-1994 |
EPISODES: 65 |
TRIVIA: Two episodes were
taken out of the rotation due to terrorist
references and unflattering racial
depictions. |
MEMORABLE
MOMENTS: Rebecca falls in love with a ghost
lion; one of Shere Khan's flunkies tries to steal
Louie's bar, only to be thoroughly
humiliated. |
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HERCULES |
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The mighty Greek
hero as a gawky teenager? It doesn't sound
especially enticing, and indeed, it failed once with Universal
Studios' short-lived Young Hercules.
However, Disney managed to make the idea work, thanks
in large part to a cheeky sense of humor and a cleverly chosen
voice cast.
The first smart
move was hiring all the celebrities from the film to reprise
their roles. Tate Donovan returns as a
well-meaning but awkward teen Hercules.
Similarly, James Woods is back as the silver-tongued
Hades, sounding more like a fast-talking car salesman than the
king of Hell. Matt Frewer and Bobcat
Goldthwait play Hades' hapless minions, and Philoctetes is...
not Danny DeVito. However, Robert Costanza
is so close to the real thing that you probably won't notice
the difference.
However, the true
brilliance of the casting is most evident in the peripheral
characters. Spastic comedian French Stewart
plays Icarus, whose brain was fried after flying too close to
the sun. Dan Castelleneta is Homer... the
original Homer, not the big yellow dope from The
Simpsons. Kathie Lee Gifford steps into a
familiar role as Echidna, the mother of all monsters who
constantly dotes on her horrible creations.
You know, just like she did when she was hosting that
talk show with Regis Philbin.
More than any other
series in the Disney Afternoon, the celebrity regulars and
cameos are responsible for Hercules' success.
Sure, the animation is competent and the writing puts a
fun spin on Greek legends, but it's the pompous bluster of
David Hyde Pierce and the arguments between cranky old Jewish
comedians that really puts this one over the
top. |
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QUICK
SHOTS |
THE
411: Legendary hero still geeky teen zero;
hangs out with fellow outcasts while battling
celebrities cast as monsters. |
AIR
DATE: 1998-1999 |
EPISODES: 65 |
TRIVIA: Doesn't actually
exist as a Greek god, no matter how much Ben Stein tries
to convince you otherwise. |
MEMORABLE
MOMENTS: Hercules teams up with Aladdin to
defeat a resurrected Jafar; Alan King bickers with Carl
Reiner as he snacks on his liver. |
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ALADDIN |
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Before I begin this
review, I'm going to take the opportunity to vent about how
harshly Dan Castellaneta was treated when he filled in for
Robin Williams as the Genie. There was no
way Disney was going to convince a major celebrity like
Williams to continue the role for a low-budget television
series, and an experienced voice over actor like Castelleneta
was as good a substitute as they were going to
find.
A more legitimate
complaint about this continuation of the film is that Aladdin
himself is kind of a jerk. He constantly
barks out commands to his friends, who are surprisingly
tolerant of his Type A personality. He's
lucky they're so willing to take his abuse in stride, because
without their assistance, Al would be an easy target for his
foes. That includes not only genuine
threats like Mozenrath and Nasira, but the bumbling comic
relief as well. If you're so vulnerable that even Jason
Alexander (as Abis Mal) presents a danger to you,
it's probably not smart to leave your house, let
alone defend your city from towering minotaurs and volcano
monsters!
Aladdin's sense of
self-entitlement and constant reliance on the Genie aside
(didn’t you get your three wishes already?), this is
one of the better shows on the Disney Afternoon.
Like TaleSpin, the quality of the animation tends to be
inconsistent, but the writing is always strong, taking full
advantage of the Persian setting and surprising the viewer
with unique situations and unexpected plot twists.
The voice work is excellent as well, with most of the
talent from the film along with the occasional celebrity
guest. And hey, despite all the flack he
received for taking the role, Dan Castelleneta makes a darned
good Genie! |
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QUICK
SHOTS |
THE
411: The original prince of Persia defends
his city with help from a genie, a carpet, and Gilbert
Gottfried. |
AIR
DATE: 1994-1996 |
EPISODES: 86 |
TRIVIA: Additional episodes
of Aladdin aired exclusively on CBS before Disney
purchased the network's rival ABC. |
MEMORABLE
MOMENTS: Epic
fights with skeleton-handed sorceror
Mozenrath; Aladdin slays a misguided plant creature only
to regret his impulsiveness later; the wimpy Sultan dons
magic samurai armor and becomes a ruthless
warrior. |
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DUCKTALES |
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After a false start
with The Adventures of the Gummi Bears, Disney went straight
for its stable of classic characters while developing its
second afternoon television series. The end
result was DuckTales, an adaptation of the Uncle Scrooge comic
books by Carl Barks. In this lighthearted
action series, Scrooge traveled the globe along with his three
nephews, hunting for treasure while defending his bulging
money bin from thieves. Scrooge's endearing
Scottish brogue, supplied by Mr. Ed's Alan Young, added a
great deal of charm to the series, and the best episodes had a
spirit of adventure matched only by an Indiana Jones
film.
DuckTales made a
slight misstep in its second season, when it strayed from its
source material and introduced original characters like
prehistoric preteen Bubba Duck and accountant by
day/science-fiction superhero by night Gizmoduck.
The grand sense of adventure that made the first season
so thrilling was also sacrificed for an irreverent sense of
humor that seemed like a better fit for Rocky and Bullwinkle
than a Disney series. It's not nearly as
jarring after Hercules and The Emperor's New Groove, but in
the more innocent 1980s, it just didn't feel
right.
Despite blunders in
the eleventh hour of this show's production, DuckTales remains
a defining moment of the childhood of millions.
It was also the first series to define the direction of
the Disney Afternoon, setting the stage for many shows to
come. |
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QUICK
SHOTS |
THE
411: Scrooge McDuck and his nephews hunt for
treasure and outsmart the Beagle Boys in this comic book
adaptation. |
AIR
DATE: 1987-1992 |
EPISODES: 100 |
TRIVIA: Before DuckTales,
Scrooge's rival Flintheart Glomgold was originally of
Dutch/South African descent. |
MEMORABLE
MOMENTS: A lengthy story arc involving a
wealth-gathering contest between Scrooge and Flintheart;
the origins of Gizmoduck; "A sea monster... ate... my...
ice CREAM!" |
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DARKWING DUCK |
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Here’s a fun fact
for you! TaleSpin was originally designed
as a spin-off custom-made for Uncle Scrooge’s dimwitted pilot
Launchpad McQuack. If you were ever
wondering why Baloo’s plane was called the Seaduck and not the
Seabear, well, that’s the
reason!
The switch to Baloo
happened when the producers of the series came to the sudden
realization that Launchpad wasn’t a very good
pilot. Still eager to find an outlet for
one of DuckTales’ most popular characters, and hoping to skim
a little profit off the top of the first Batman movie, Disney
went to work on another series called Darkwing
Duck.
However, Launchpad
wouldn’t headline the show. The airheaded
aviator would have to take a backseat to the title
character, Drake Mallard. When not caring
for his adoptive daughter Gosalyn, Mallard moonlights as the
nocturnal vigilante Darkwing Duck.
Conceited, theatric, and more than a little hapless, DW
is a composite of several different cartoon and comic book
stars. Batman and Daffy Duck are his most
obvious influences, but you can see The Phantom and The Shadow
in his double-breasted purple jacket and
cape.
Darkwing’s
opponents are just as familiar. Steelbeak
is a rooster with aspirations of becoming a James Bond
villain. The Liquidator combines Ron Popeil
with gooey thugs like Clayface and The Sandman.
Bushroot is Poison Ivy without the sex appeal, and
Negaduck looks and acts like he stepped straight out of Star
Trek’s Mirror Mirror universe… all he’s missing is the stylish
goatie.
Whether this is
playful satire or copyright infringement is entirely subject
to interpretation, but there’s no debate that Darkwing Duck
was one of the better shows on the Disney
Afternoon. The animation is livelier than
the typical Disney offering, and when the writers were at the
top of their game, the storylines were strong enough to make
the best cartoons from the 1990s stand up and take
notice. For instance, Duck Blind was a key
source of inspiration for the Batman episode Blind as a
Bat. Some have even concluded that Duck
Blind was better thanks to its omission of gadgets that
defeated the purpose of the plot… truly an example of the
student becoming the master.
With all this
praise, you’d think that Darkwing Duck should be higher on the
list. However, there are issues with the
show that kept it from scaling to the top.
The first is that Darkwing Duck tries much too hard to
be zany; the same overcompensation that was evident in Goof
Troop and Bonkers. The second is Gosalyn’s
defiant independence. She’s not as
irritating as some cartoon tagalongs (Jade from Jackie Chan
Adventures immediately comes to mind…), but the series would
have been better off by scaling back her screen
time. Finally, the show jumps around so
wildly at times that you’re tempted to force-feed your
television a Ritalin. Again, this was a
recurring problem in later Disney Afternoon shows, but it’s
especially aggravating here because it’s clear the writers
would be capable of great things if they just laid off the
caffeine.
So the Cliff Notes
for this excessively long review is that Darkwing Duck is a
good show with brief moments of brilliance.
It’s not fantastic, but it is a whole lot better
than the later entries on this list. |
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QUICK
SHOTS |
THE
411: Cocky cartoon duck thinks he's Batman;
fights villains who think they're
threatening. |
AIR
DATE: 1991-1995 |
EPISODES: 91 |
TRIVIA: DW's catchphrase
"Let's get dangerous" is very loosely translated to
other languages. In China, it's "Wait 'till I do
some destruction." In France, Darkwing
shouts "It's gonna get scary big
time!" |
MEMORABLE
MOMENTS: Obnoxious bottled water salesman
becomes his own product; DW loses his
vision. |
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SCHNOOKUMS & MEAT |
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The odd thing about
this cartoon, aside from the fact that it appeared on the
Disney Afternoon in the first place, is that it gets better
and better the further it distanced itself from the title
characters.
Schnookums &
Meat is actually three different shows packed into a thirty
minute time slot. The first of these is an
attempt to ride the Ren & Stimpy gravy train with a
frantic cat and dog duo. These two
characters don’t make the lasting impression that
Nickelodeon’s short-tempered Chihuahua and mindless Manx cat
had, and the artwork is surprisingly reserved, without the
grotesque detail and expressive, balls-to-the-wall animation
that made Ren and Stimpy the leader of the early ‘90s
animation revolution.
Next up to bat is
Pith Possum, which lampoons the Batman franchise with an
idiotic superhero and his eager young sidekick.
The animators really let their hair down with this one,
dishing out the spastic gestures and demented facial
expressions that were largely missing from Schnookums &
Meat. There’s even a satisfying assortment
of villains, including a Shirley Temple knock-off with the
deep, deep voice of Everybody Loves Raymond’s Brad
Garrett.
Playing clean-up is
Tex Tinstar, a delightfully twisted parody of television
westerns and the best of the three cartoons.
Tex is a scrawny cowboy who’s roughly 30% Clint
Eastwood and 70% Elvis Presley. He
aimlessly wanders through the Southwest while Wrongo, the
cackling villain, hatches increasingly convoluted schemes to
finish Tex once and for all. The characters
include everything from metrosexual coyotes to a Mexican
bandito with a snooty British accent, and the plot twists at
the end of each episode become increasingly random,
culminating in a comet ride straight for the
sun!
Too different from
traditional Disney fare to be embraced by younger viewers, yet
too timid to be taken seriously as competition for the edgier
cartoons of the early 1990s, Schnookums & Meat is the
shortest-lived Disney Afternoon series, with a brief nine
episode run. Not long after the series
debuted, it was replaced with The Lion King: Timon &
Puumba. Granted, it wasn’t a very good
show, but at least it was a better fit for the programming
block. |
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QUICK
SHOTS |
THE
411: Disney tries coloring outside the lines
with three increasingly frantic and surreal cartoon
shorts. |
AIR
DATE: 1993-1995 |
EPISODES: 9
(!!!) |
TRIVIA: Jeff Glen
Bennett would recycle his Tex Tinstar
voice for the more successful Cartoon Network
series Johnny Bravo. |
MEMORABLE
MOMENTS: Every Tex Tinstar short; voice over
veteran Jim Cummings does an Orson Welles impression
that makes the Brain look downright mousy by
comparison. |
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ADVENTURES OF THE GUMMI
BEARS |
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This was the
foundation for what would eventually become the Disney
Afternoon, but it was very different from the shows that would
come after it. Set in medieval England and
starring a family of bite-sized critters hiding from humanity,
Gummi Bears has more in common with The Smurfs than anything
else Disney had offered in their afternoon programming
block.
If you liked NBC’s
blue runts, you’d feel right at home watching Gummi
Bears. In fact, it’s a much better show
thanks to its detailed mythology and earthy hand-painted
backgrounds. It’s also a lot more exciting,
because the bears aren’t afraid to leave the safety of their
hollow tree to search for their long-lost
relatives.
All this is faint
praise, because it doesn’t take much effort to beat a
low-grade series like The Smurfs. It’s much
more productive to ask how Gummi Bears compares to the rest of
the shows on the Disney Afternoon, and the answer is less
encouraging. On a scale from Gargoyles to
Bonkers, the bouncing bears fall squarely in the
middle. It doesn’t make any profound
statements or advance the medium of animation. At the
same time, it’s not sickeningly sweet like Chip 'n Dale Rescue
Rangers, and the production values are high enough to make the
series seem like a labor of love rather than the commercial
for German candies that it could have
been. |
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QUICK
SHOTS |
THE
411: Brightly colored bears seek out
their relatives while thwarting an evil duke and his
army of trolls. |
AIR
DATE: 1985-1991 |
EPISODES: 65 |
TRIVIA: Known as "The
Adventures of the Wonder Wonder Bears" in
China. |
MEMORABLE
MOMENTS: Sunni dresses as Cyndi Lauper;
the Gummis discover their more aggressive cousins
the Barbics. |
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THE
MIGHTY DUCKS |
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The Mighty
Ducks had one hell of an identity crisis.
It had nothing to do with the films starring Emilio
Estevez, or the major league hockey team that sprang from
it. It wasn't even your typical Disney
ducks cartoon! The creators of the show
thumbed their noses at tradition and created a cast of really
muscular humans with bills, a far cry from the squat stars of
DuckTales. The storyline claimed that the
hockey-playing, crime-fighting Mighty Ducks were from another
planet, but with designs that were too menacing for kids and
too frickin' strange for older viewers, it's more likely that
the characters were fished out of an action figure clearance
bin.
When interviewed in
trade publications like TV Guide, the producers of the show
made a lot of empty promises about the series, claiming that
it was darker than the usual Disney fare and that the
characters all had distinct, fully developed
personalities. None of that was true, of
course, but when you're trying to peddle the most
ill-conceived product placement disguised as entertainment
since Leonard Part 6, you'll do anything to push that snake
oil on a skeptical public. Heck, you’d even
conveniently forget to mention that sitcom saboteur Jim
Belushi was one of the voice actors! |
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QUICK
SHOTS |
THE
411: Buff waterfowl from a frozen planet
arrive on Earth to play hockey and fight sinister
lizards. Sure, why not? |
AIR
DATE: 1996-1997 |
EPISODES: 26 |
TRIVIA: Dennis
Franz makes regular appearances as a cop who's
pretty much the same character as the one he played on
NYPD Blue. Minus the naked butt shots,
thankfully. |
MEMORABLE
MOMENTS: Canceled after four
months. |
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GOOF
TROOP |
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The well must
have run dry for Disney by the time they made Goof
Troop. Not only did they dredge up one of
their most irritating characters for this series, they set the
show in a suburb… a stinking suburb! Come
on, people... kids watch cartoons to escape their boring,
humdrum lives, not be further immersed in
them!
Well, if there’s
one thing that can be said about this very unnecessary show,
it’s that the writers were brave enough to make its characters
reproduce. There are no uncle plot
conveniences here… both Goofy and his next door neighbor Pete
have real, straight-from-the-loins offspring.
Goofy’s got Max, a son who is rightfully embarrassed by
his father’s unfathomable stupidity, while Pete has the dumpy
and depressed P.J., along with his bratty kid sister
Pistol.
Keenly aware of the
banality of its premise, Goof Troop makes frequent, desperate
overtures to wring laughter from its audience.
The rubber-faced characters mug for the camera at every
opportunity, and wacky cartoon music blares at every pratfall
and wisecrack. The problem is that the show
spends a lot more time trying to convince viewers that it’s
funny than actually living up to that
promise. |
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QUICK
SHOTS |
THE
411: Goofy has a son. The world
weeps. |
AIR
DATE: 1992-1996 |
EPISODES: 79 |
TRIVIA: Goofy actually had a
child forty years before Max! His first offspring
was named "George Jr." and had blazing red hair.
However, George Jr. never appears in this
series. |
MEMORABLE
MOMENTS: Goofy mistakes a hot dog for a
phone receiver, and talks into the frankfurter
while sinking his teeth into the phone. Yes, he's
really that stupid. |
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QUACK
PACK |
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I'll be honest with
you... I don't remember much about this series.
The fact that it never airs on Toon Disney suggests
that Disney would like to keep it that way.
Anyway, here's what I can recall about Quack
Pack. It's a repackaging of Goof Troop,
with the lead characters swapped out for Donald Duck and his
three nephews. It also attempted to
reinvent Huey, Dewey, and Louie by turning them into Home
Improvement’s Jonathan Taylor
Thomas.
Disney's pulled
this stunt before- TaleSpin's Rebecca Cunningham was almost
certainly inspired by Kirstie Alley's character on Cheers- but
they didn't even try to disguise their theft of a celebrity's
appearance and mannerisms in Quack Pack.
The ducklings’ color-coded outfits have been given a
mid '90s makeover, and their once squeaky voices have been
replaced with a throaty, high-pitched wheeze that's so
familiar, you expect the teen trio to forget about Donald
completely and just make wisecracks about Tim Allen for the
next twenty-two minutes.
Watching a few
random clips on YouTube revealed something I had forgotten
about Quack Pack… it’s extremely weird.
Maybe not as weird as The Mighty Ducks, but it’s pretty
close. Hoping to distance the series from
Goof Troop, the producers of Quack Pack introduced human
characters and subjected the main cast to situations that are
pretty warped, even for a cartoon. In one
episode, Jonathan, Taylor, and Thomas transform into
superheroes with bulging arms and foreheads.
In another, they’re shrunken down to the size of
walnuts, then eaten by a raccoon duck thing.
Uh… does this show come with a
flowchart? |
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QUICK
SHOTS |
THE
411: After forty years, Donald Duck's
nephews finally hit puberty. |
AIR
DATE: 1996-1998 |
EPISODES: 39 |
TRIVIA: The writers pretended
that the events of DuckTales never happened in this
series. Shortly afterward, viewers pretended that
the events of Quack Pack never
happened. |
MEMORABLE
MOMENTS: Plenty, but for all the wrong
reasons. |
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THE
LION KING: TIMON AND PUUMBA |
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The 2% in your
fridge may have come from a cow, but the fact is, you can milk
just about any mammal. Heaven knows
Disney’s had a lot of practice, squeezing the tiny teats of a
mouse for the better part of a century. In
the 1990s, they raised their standards slightly by creating
The Lion King: Timon & Pumbaa, turning a meerkat and a
warthog into their designated cash
cows.
Timon & Pumbaa
served two purposes, plugging the hole left by the quickly
canceled Schnookums & Meat while giving Disney a chance to
shake a few more dollars out of The Lion King before the
second film was released. If judged solely
on these two criteria, the show was a smashing
success. However, if you weren’t
Disney, you were probably less
impressed.
The series does get
all the basics right… the voice acting is faithful to the
films, with Ernie Sabella reprising his role as Pumbaa and
Kevin Schon providing the voice of Timon in Nathan Lane’s
absence. The animation’s not too shabby
either, with artwork that’s simplified from the films yet
fittingly expressive for this odd couple.
Unfortunately,
aside from a few rare gems (like Bumble in the Jungle, where
Timon and Puumba chase a bee in time with Beethoven's Fifth
Symphony) the whole affair seemed forced and aimless, as is
often the case with television spin-offs designed to stretch
the appeal of comic relief sidekicks. For
reasons which are never entirely clear, Timon and Pumbaa
crisscross the globe, gobbling bugs while meeting the native
(and often hostile) wildlife. Occasionally,
one of their friends from the movie will step out from the
shadows to say hello and remind the rabid Lion King fans why
they’re watching. Viewers with no
attachment to the film still won’t have a
clue. |
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QUICK
SHOTS |
THE
411: Timon and Puumba tour the world in
search of tasty new bugs, raising the ire of other
animals in the process. |
AIR
DATE: 1996-1998 |
EPISODES: 86 |
TRIVIA: Farlex's Free Online
Dictionary defines a "mook" as an insignificant or
contemptible person. |
MEMORABLE
MOMENTS: Simba himself appeared in one
episode of this series... now that's star power!
However, Matthew Broderick is no longer the man behind
the lion... instead, Cam Clarke (of TMNT '86
fame) provides Simba's voice. |
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CHIP
'N DALE RESCUE RANGERS |
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I never really
understood the “appeal” of this series, if you're generous
enough to call it that. Second-rate Disney
stars Chip 'n Dale (not to be confused with the quality oak
chairs or the scantly clad dancers) take a break from
harassing Donald Duck to solve trivial crimes along with a
handful of random misfits. These include a
macho Aussie mouse with an unhealthy cheese fetish, a shapely
but scatterbrained inventor, and a plucky pet fly that's even
squeakier than the rest of the
cast.
While on their
adventures, this vermin detective agency frequently crosses
paths with Fat Cat, best described as the product of a
three-way between Vincent Price, Dom DeLuise, and Morris from
the 9-Lives commercials. Suave and
scheming, this magnificent bastard is the best character the
show has to offer, but he's also a reflection of its most
damning flaw. Stereotypes abound in Rescue
Rangers, and character development is
non-existent. Cats are always evil,
bears are always stupid, and mice are always
oppressed victims. It's lazy writing at
best, and at worst, it's shockingly offensive... just watch
the Siamese fighting fish in one episode and try not to
cringe.
Rescue Rangers is
still embraced by its fans, including a few online artists
whose infatuation with Gadget Hackwrench borders on
frightening. However, if they were to watch
the show objectively, they'd realize how trite and cloying the
series really is. Some creativity is
evident in the show's sense of scale... villains tower
menacingly over the crime fighting critters, and Gadget's
inventions are all cleverly pieced together from discarded
household items. However, that inspiration
stopped short of the paper-thin characters, making Rescue
Rangers the worst of the first four shows in the Disney
Afternoon line-up. |
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QUICK
SHOTS |
THE
411: Four rodents and an insect start a
detective agency. They work for peanuts... and
dung, in the fly's case. |
AIR
DATE: 1989-1993 |
EPISODES: 65 |
TRIVIA: Chip and Dale were
last-minute additions to the cast, at the
insistence of former Disney CEO Michael
Eisner. |
MEMORABLE
MOMENTS: Adventures in
Squirrelsitting. This episode was uncommonly good,
culminating in a classic scene where Fat Cat
contemplates turning two young squirrels to the dark
side... before deciding that it would be too much
trouble and ordering his minions to toss them into a
meat grinder. Forget the sappy stuff... gimme more
of that! |
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BRAND
SPANKIN' NEW DOUG |
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Before I proceed, I
should warn you that this review will be incredibly short, and
incredibly biased. To me, Doug was always
that show you had to sit through while waiting for Ren &
Stimpy to start. I guess I just never
understood what was so special about a bunch of badly drawn
elementary school kids in dayglo colors just living their
lives. You had to be keen on the quirky
characters and constant flashbacks to get any mileage from
this cartoon, and if you weren’t… well, at least Ren &
Stimpy was right around the
corner!
Fans of the show
(and they’re definitely out there) claim that Doug got much
worse when it migrated to the Disney Afternoon.
Since I was never in the loop, I guess I’ll have to
take their word for it. However, it is
telling that nearly three-quarters of those surveyed on Jump
the Shark agree that the move to Disney was the kiss of death
for this series. It’s also worth pointing
out that at least a dozen episodes of the Nickelodeon series
can be found on YouTube, while only the thirty second
introduction of Disney’s Doug is available on the popular
video sharing site. |
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QUICK
SHOTS |
THE
411: The Wonder Years if Fred Savage was a
badly drawn cartoon character with attention deficit
disorder. |
AIR
DATE: (Disney)
1996-1999 |
EPISODES: (Disney)
65 |
TRIVIA: Famous voice actor
Billy West left the series after it was acquired by
Disney. Could this be why fans hated the later
episodes so much? |
MEMORABLE
MOMENTS: Not the show itself, but
this comic by David McGuire. |
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101
DALMATIANS |
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If nothing else,
this show proves that any cartoon, no matter how rotten, can
find a fan following on the Internet. Grown
men and women still speak fondly of this loose adaptation of
the 1960s film and its live-action remake, making you wonder
how hopped up they were on sugared cereals and the natural
high of youth while watching it.
There were actually
two versions of 101 Dalmatians. The
Saturday morning series wore its E/I rating on its sleeve,
beating its viewers over the head with such gems of wisdom as
“video games are bad, m'kay?” Instead of a
hydrocephalic elementary school principal, these object
lessons were delivered by a scrawny, screeching fowl named
Spot... or as she’s more commonly known to frustrated
television critics, Chicken
Urkel.
Chicken Urkel plays
a lesser role in the Disney Afternoon series, which lightens
up on the moralizing and sticks with the traditional formula
of “Cruella DeVille chases puppies, puppies humiliate
Cruella.” However, both shows offer the
same off-putting stylized art direction, as well as a
Smurf-like cast. Each Dalmatian has a
descriptive name and a rigidly defined personality to match.
Rolly is the fat slob, Lucky is the cocky
leader, and Cadpig plays double duty as Smurfette and the
bossy, contrarian Brainy Smurf. This
character has the largest fanbase of any of the show’s stars,
a fact that so violently defies logic that it could punch a
hole in the very fabric of reality. |
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QUICK
SHOTS |
THE
411: Kind of like the movie, except with a
lot of annoying characters and much thicker
outlines than necessary. |
AIR
DATE: 1997-1998 |
EPISODES: 65 |
TRIVIA: Doug's Jim Jinkins
was the co-creator of this series, although its art
style and humor bears little resemblence to the
series that made him famous. |
MEMORABLE
MOMENTS: Any time Cadpig shuts the hell
up. |
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BONKERS |
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The worst of the
Disney Afternoon series was originally intended as a
television adaptation of Who Framed Roger
Rabbit?. However, licensing squabbles
with co-creator Amblin Entertainment forced Disney to settle
for Bonkers, a wacky bobcat who made frequent appearances on
the Saturday morning series Raw
Toonage.
Disney's original
intentions for this series can still be seen in its storyline,
with humans and toons living side by side in a
fictional Los Angeles. As an out-of-work toon who
stumbles his way onto the police force, Bonkers even works the beat with the
grumpy, toon-weary Detective Piquel. He's essentially a
flabby, family-friendly version of Bob Hoskins' character
Eddie Valiant, relying on the support of his wife and child to
get through each day rather than a flask of whiskey.
However, for all
its similarities, the magic of Roger Rabbit is missing from
this show... and for that matter, so is any appeal Bonkers may
have had in his first series.
Look, I'll give the
little guy some credit. Bonkers was
marginally entertaining on Raw Toonage, where his frenzied
antics were tempered by an eternally depressed canine
sidekick. However, without Jitters, Bonkers
has become zany to the point of exasperation, and any attempt
by his new partner to make him act rationally is viciously
punished. It's like the later episodes of
Spongebob Squarepants where Squidward is tormented for simply
acknowledging that Spongebob is obnoxious, yet somehow even
more hostile and didactic.
That hostility is
soon directed toward the audience, who is constantly reminded
that Bonkers and his friends are cartoons, and that they're
wild and crazy and not like humans at all and- hey, why aren't
you laughing? You don't want to hurt their
feelings, do you? After you've
endured several episodes of this labored comedy and emotional
blackmail, it quickly becomes obvious why Detective Piquel
left the show in its second season. The
only mystery is how this show lasted long enough to get
a second season.
One final note…
Wikipedia claims that Gargoyles creator Greg Weisman was
responsible for the second, even less entertaining season of
Bonkers. How ironic that the executive
producer of the best Disney Afternoon series would also be a
driving force behind its worst… |
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QUICK
SHOTS |
THE 411: A
failed cartoon actor lucks into a job at the local
police station, then makes everyone sorry they hired
him. |
AIR
DATE: 1993-1995 |
EPISODES: 64 |
TRIVIA: The first season of
the show was actually produced after the second
one! |
MEMORABLE
MOMENTS: Lucky Piquel actually leaves the
series. Living, breathing actors quit television
all the time to make movies, but where's a cartoon
character going to go? |
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Special thanks
to Wikipedia for its invaluable assistance in gathering
information for this feature, YouTube for many of the the
video clips in the sidebars, and Brian Balsan, S. Arsenault,
and the members of GameSpite's Talking Time forum for
their
feedback. |
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